When people think of New York City, their minds immediately conjure up images of its impressive skyline, shaped by iconic structures such as the Empire State Building, the Chrysler Building, and more recently, the One World Trade Center. However, the city that never sleeps has another groundbreaking building in its midst whose unique construction and decorative design has made it a staple of New York’s concrete jungle since its completion in 1924. Not too far from the Empire State Building stands this neo-Gothic tower shrouded in black and gold: the American Radiator Building.
Since its inception, the American Radiator Building has been owned by several high-profile property developers, including Philips International. Yet, its beginnings are fairly humble. In 1922, Raymond W. Hood, who at 41 years old had not accomplished much in his design career, was pushed by his colleague John Mead Howells to enter a design competition for the anticipated Chicago Tribune building. Inspired by the neo-Gothic structures he knew through working for Cram, Good hue Ferguson, Hood submitted a original and innovative neo-Gothic tower design that won the commission. Suddenly, Hood was known all over New York, and within a year, he was designing the American Radiator Company’s headquarters on West 40th Street across from Bryant Park.
The building’s neo-Gothic ornamentation combined with the overall sleek geometric lines anticipated the Art Deco craze that would soon envelop Manhattan architecture. The black brick with gold accents solidified the structure as one of the most daring experiments in color in modern buildings in America. The American Radiator Building was also the first New York skyscraper with dramatic exterior lighting. In 1988, the building was sold to Japanese company Clio Biz, who planned on converting it into a hotel. However, the building sat empty for a decade until Philip Pilevsky of Philips International purchased it in 1998 for $15 million. Finishing what Clio Biz had never started, Pilevsky started the building’s conversion into the Bryant Park Hotel.
Pilevsky brought in many design experts to turn the building into one of New York’s most exclusive and luxurious hotels, including British designer and architect David Chipperfield, who had also designed fixtures for American Standard. Chipperfield’s unique vision brought the visitor from the 1920s outside to the 60s-inspired 21st Century inside with bright colors and vibrant designs. He placed burgundy leather walls in the lobby area, and custom-designed many of the high-end details and fixtures in the space, including a vaulted-ceilinged cavern house the Cellar Bar and a restaurant below the lobby level.
Since its inception, the American Radiator Building has been owned by several high-profile property developers, including Philips International. Yet, its beginnings are fairly humble. In 1922, Raymond W. Hood, who at 41 years old had not accomplished much in his design career, was pushed by his colleague John Mead Howells to enter a design competition for the anticipated Chicago Tribune building. Inspired by the neo-Gothic structures he knew through working for Cram, Good hue Ferguson, Hood submitted a original and innovative neo-Gothic tower design that won the commission. Suddenly, Hood was known all over New York, and within a year, he was designing the American Radiator Company’s headquarters on West 40th Street across from Bryant Park.
The building’s neo-Gothic ornamentation combined with the overall sleek geometric lines anticipated the Art Deco craze that would soon envelop Manhattan architecture. The black brick with gold accents solidified the structure as one of the most daring experiments in color in modern buildings in America. The American Radiator Building was also the first New York skyscraper with dramatic exterior lighting. In 1988, the building was sold to Japanese company Clio Biz, who planned on converting it into a hotel. However, the building sat empty for a decade until Philip Pilevsky of Philips International purchased it in 1998 for $15 million. Finishing what Clio Biz had never started, Pilevsky started the building’s conversion into the Bryant Park Hotel.
Pilevsky brought in many design experts to turn the building into one of New York’s most exclusive and luxurious hotels, including British designer and architect David Chipperfield, who had also designed fixtures for American Standard. Chipperfield’s unique vision brought the visitor from the 1920s outside to the 60s-inspired 21st Century inside with bright colors and vibrant designs. He placed burgundy leather walls in the lobby area, and custom-designed many of the high-end details and fixtures in the space, including a vaulted-ceilinged cavern house the Cellar Bar and a restaurant below the lobby level.